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Quite often you may find yourself looking at a fine piece of sheet music which has been engraved beautifully but alas in in the wrong key...
Perhaps because you are playing a tuba (a transposing Bb-instrument) where the other band members are using non-transposing instruments (guitar, flute, piano etc.). Another day you may find that the vocalist will do a much better job when the entire piece would be played a few notes lower or higher.
Welcome to transposition.

As you might have guessed, performing transposition using music notation software like MusiCAD is quite an easy task. But let's first see where transposition boils down to.
Let's suppose you want to transpose your music from the key of A to to the key of F.
|
Key |
1 |
1# |
2 |
3b |
3 |
4 |
4# |
5 |
5# |
6 |
7b |
7 |
|
C |
c |
c# |
d |
eb |
e |
f |
f# |
g |
g# |
a |
bb |
b |
|
C# |
c# |
d |
d# |
e |
f |
f# |
g |
g# |
a |
a# |
b |
c |
|
D |
d |
d# |
e |
f |
f# |
g |
g# |
a |
a# |
b |
c |
c# |
|
Eb |
eb |
e |
f |
gb |
g |
ab |
a |
bb |
b |
c |
db |
d |
|
E |
e |
e# |
f# |
g |
g# |
a |
a# |
b |
c |
c# |
d |
d# |
|
F |
f |
f# |
g |
ab |
a |
bb |
b |
c |
c# |
d |
eb |
e |
|
F# |
f# |
g |
g# |
a |
a# |
b |
c |
c# |
d |
d# |
e |
f |
|
G |
g |
g# |
a |
bb |
b |
c |
c# |
d |
d# |
e |
f |
f# |
|
G# |
g# |
a |
a# |
b |
c |
c# |
d |
d# |
e |
f |
f# |
g |
|
A |
a |
a# |
b |
c |
c# |
d |
d# |
e |
f |
f# |
g |
g# |
|
Bb |
bb |
b |
c |
c# |
d |
eb |
e |
f |
f# |
g |
ab |
a |
|
B |
b |
b# |
c# |
d |
eb |
e |
f |
gb |
g |
ab |
a |
bb |
The table above may help in determining the most likely flats and sharps.
First note is easy, that's an A so an F will do. Ehm, which F, a major third down or a sixth up? Let's go down.
Second note is a G#. So lookup the G# on the row for key A (the original key) found it at stage 7. Now locate key F in the same column: ok that will become an E
Third an A again so we get an F
Fourth note: C found at stage 3b; in row for key F will render Ab
etc. etc.
The same procedure should be applied to the chord symbols: the G7 should transpose to an Eb7.

Pretty straightforward isn't it?
That being said, it turns out to be a lot of work for an entire score, not to mention the possibility of a mistake or two...
Transposing your tune with MusiCAD is much easier: select the transpose button, select the new key, and hit ok.
Here are a few examples to get jour job done in more detail.
First you should get to know what the desired key should be. Playing along with MusiCAD makes that quite an easy job. Let's first handle the needs of our aforementioned singer requiring transposition of her song.
Open the score to be adjusted.
Adjust the pitch using [Options|Midi Setup|Shift MIDI out] increasing (or decreasing) the value by one ore two semitones at a time.
Save the change and play the tune with altered pitch.
Repeat the previous steps until you are satisfied with the changed pitch.
Knowing now how the pitch should be found (number of semitones up or down) it is easy to transpose the notes. Remember the setting of Shift MIDI-out, while restore the setting to zero.
Now go to the transpose
dialog and adjust the key until you've reached the desired pitch-shift. Lets assume we need a pitch
shift 5 semitones up. Remember, one octave is equal to 12 semitones, so 5 semitones up is (key-wise)
the same as 7 semitones down. Use the octave shift button to change pitch in steps of 12 semitones.
Above you see the original key C (no sharps/flats) and a target key F (one flat) resulting in a pitch
shift 5 semitones up.
After you've hit the ok-button all notes are lifted 5 semitones and a flat is notated at the front of each line. All guitar chord symbols with the notes were transposed also, as well as chord symbols within a block of lyrics .
Ok, reading and playing music written in a key having one flat shouldn't be much of a problem, but what if we were to play using 5 or six sharps or flats. Our singer doesn't care, but violin players typically don't like lots of flats and Bb-clarinettists frown upon sharps... Such cases ask for compromises: use a next-to-ideal key by altering pitch one semitone up (+7 sharps/5 flats) or down (+5 sharps/ 7 flats) so you'll get a more 'playable' key.
Our tuba player needs a different solution. Whenever you are playing an instrument that has 'transposition' built in like clarinet, trumpet or tuba (all Bb-instruments) you can simply use the part modification dialog and select C to Bb to accommodate for the needed transposition. In fact the C to Bb modification will transpose the part two semitones up (adding two sharps/removing two flats) while at the same time instruct the part to sound two semitones lower (just like the tuba player does; he reads a C, plays a Bb, so give him a D and he can play along with real-pitched instruments like a piano).
See also part option dialog
